Monday, July 05, 2010

The Taking of Pelham 123


John Travolta is bad-ass, and that's all there is to it. In The Taking of Pelham 123, accompanied by Denzel Washington, JT kicked it in his role as the mastermind behind the hijacking of a subway train and the accompanying Wall Street manipulation.

The only negative I'd heard prior to watching was the opinion one of my more sensitive acquaintances, who reportedly suggested the language was a bit strong for her. I can respect the opinion, and for sure the movie produced an abundance of f-bombs and other strong language, but without them it just wouldn't be the same. These were hardened criminals, fresh out of the pen, working through a highly-involved criminal act, and the language fits the roles. "Excuse me, sir, would you kindly meet my demands? If you don't, I'll think you're just plain ol' mean!", and anything less than rough talk wouldn't suffice.

Watch it, be thrilled, and root for who you want. The good guys are sometimes bad, the bad guys are sometimes good, and that makes deciding tough!

Sunday, July 19, 2009

Facebook


It seems all I've been doing lately is Facebooking. I know it's not new, but for some reason it has just been so enjoyable the past few months. I need to blog some more, so I'll remember what I was into these days when I look back way down the road. So, when I do finally look back to this post, I'll just be reminded of why the posts seem to be so few and far between-I was following more superficial pursuits! Is there hope for blogging?

Monday, April 13, 2009

Tim McGraw: Set This Circus Down



I've had this album for a while, but recently put it back into spin during my weekend workouts, and I was pleasantly re-surprised at how solid it is. The wikipedia article about it says it's McGraw's seventh studio album, and I think it has to be one of his best. His earlier stuff seems a bit unpolished to me, while his later works are too pop for me (go ahead, Jabel, laugh at that one...). Circus seems to be the apex of what Tim McGraw has done so far, in my most humble opinion. My favorite 3 songs are, in this order: 1. Telluride, 2. The Cowboy In Me, and 3. Take Me Away From Here. Every track is splendid, though, so give it a whirl...

Saturday, February 21, 2009

"You Found Me" by The Fray

I picked up The Fray's eponymous new album this past week, and I'm overjoyed to report that they've scored another bomb. It's been said a million times in a million ways, but it's very difficult, it seems, for a band to come out with a successful follow-up to a wildly popular, sensational album that defines them. I think they've done it, though, and I must say I'm impressed.

There are several songs that score, but the one that's got me all wrapped up presently is "You Found Me", the third song on the disk. The sound is stellar, but it's the lyrics that have clutched my innermost self and wrenched strong emotions from me. Here's an overview:

"I found God, on the corner of 1st and Amistad, where the West was all but won. All alone...smoking his last cigarette. I said "Where've you been". He said, "Ask anything."

It's a haunting and arresting start to the song, for sure. I read some reviews somewhere, and one read that they were disappointed that God would be portrayed as smoking. At first, it took me back as well, but then I caught something. Perhaps it's just a clever way of saying that sometimes we find God in the most unlikely of places. Where we least expect to meet Him, sometimes He shows up and surprises us. And, of course, could the last 9 words of this verse be any more amazing. Man's angst meets God's affability. How many times have I angrily wondered where God could have been in my turmoil, only to find Him never getting defensive, and only welcoming.

"Where were you, when everything was falling apart. All my days, were spent by the telephone...that never rang. And all I needed was a call...that never came. To the corner of 1st and Amistad."

Have you done this? I know I have more times than I can recall. Asking God of His whereabouts has at times been a habit, and I've repeated it over and over and over. No message. No call. And seemingly, no interest in me. The silence of God is at times the most deafening event of all.

"Lost and insecure...you found me, you found me. Lying on the floor...surrounded, surrounded. Why'd you have to wait? Where were you? Where were you? Just a little late...You found me, you found me."

Down and out. Alone and quivering. All of life is not misery, but when miserable moments arrive, it seems there is and never will be anything more. Looking back, it's great to see myself being found, even when I'd thought there was no hope, and no chance for recovery. This is hope for the otherwise hopeless...being found by God.

"But in the end, everyone ends up alone. Losing her, the only one who's ever known: who I am, who I'm not, and who I wanna be. No way to know, how long she will be next to me."

And then a little more of the crises is known, and it appears that to the writer it's a future distress that has him troubled. Someone is going to end up alone. Our love will either die before us, or else we'll go before them. Or perhaps, someone will leave and never come back. Either way, someone winds up alone. And not just any someone, it's she who knows everything. I'll avoid revealing too much, but I feel strongly about AJ in this triplet, as she IS the "only one" who really knows me, who I am, am not, and want to be. It's sad sometimes to think of her one day not being by my side.

"The early morning, the city breaks. And I've been calling...for years and years and years and years. And you never left me no messages. You never sent me no letters. You've got some kind of nerve, taking all I want."

How many times have we wanted to express such passionate frustration at God? How many times have I hurled insult and heated anger at Him for "taking all I want". In all honesty, I've done so many times. And it amazes me that when I feel like I've been "calling...for years and years...", at the end of the solitude I'm found with the One who remains in spite of the loss of everything else. Even in the loss of that which is most precious, God yet remains.

This is a powerful song, and I'm sure there are as many interpretations of it's meaning as there are listeners. This post is simply a glimpse into the meaning it has for me. And here is another musical post driven deep into me, proving once again why music is the language of the soul...

PS-Watch a clip with the lyrics and the song here.

Saturday, January 17, 2009

Christina: Moulin Rouge Revisited

It's been a while since the movie Moulin Rouge hit the scene (2001, 1952), but I recently revisited the glitz and raucousness via the soundtrack. I try to put on an album when I'm chugging on my treadmill or laboring on my Bowflex, and this past week the album has kept me fully-charged and motivated to finish my workouts. Of course, my favorite part of the whole shebang is the role Christina Aguilera plays in the music, singing on the track Lady Marmalade. As I was stretching pre-run the other night, her angelic voice lit up the workout room and I asked Bos if he knew who was singing, and he said without a hitch "your HWOTP". Damn, I've trained him well! Anyway, on a less 15-year-old-boy-fantasy note, it did get me to thinking more adult, mature thoughts. (Not that kind, silly!) I mean, I just got to thinking about how great some of the musical based movies have been. Of course, Moulin was a great show, but so was Chicago and Rent. I started to watch Johnny Depp's Sweeney Todd, but diidn't finish it. It looks like it'll be good, but I'm not certain. Don't get me wrong, I like a lot of different movie genres, but I seem quite attracted to musicals. I'm wondering if there are any others that I should put in my que, and if seeing any of them live would add to my enjoyment, or turn me off. Cheers!

Wednesday, October 22, 2008

The Music of My Danse Macabre

Soon enough, we'll be hearing bright and cheery airs as we stroll gaily toward "the most wonderful time of the year." Yeah, whatever, I ain't in the mood right now. So, that being said, I've got a few more days to satisfy my jones for all things death, all things haunted, all things...macabre. And, if I were going to celebrate the great Danse Macabre, I'd want a soundtrack, dammit! And so, here's the must have collection of albums with which to dance with the damned; to celebrate the dark beauty of a black-eyed, raven-haired vixen; to scream terror-laced rants at Mephistopheles as we drink to our blood-lust for all...things...wicked. Peace:

1. Three Cheers for Sweet Revenge by My Chemical Romance.
2. Hellbilly Deluxe by Rob Zombie.
3. Back in Black by AC/DC.
4. City of Evil by Avenged Sevenfold.
5. Fallen by Evanescence.
6. Appetite for Destruction by Guns N' Roses.
7. Highway to Hell by AC/DC.
8. Sing the Sorrow by AFI.
9. Lead Sails and a Paper Balloon by Atreyu.
10. Scream Aim Fire by Bullet for My Valentine.
11. Ten Thousands Fists by Disturbed.
12. Sinner by Drowning Pool.
13. Faceless by Godsmack.
14 Smells Like Children by Marilyn Manson.
15. In Love and Death by The Used.

Boo!

Wednesday, August 20, 2008

Relentless

I've had Jason Aldean's Relentless album for a few months now, and I really do enjoy it. I hadn't paid a lot of attention to the title track, though, until recently for some reason. Let me just say one thing. If you don't know what love like the love described in the song is all about, I feel for you. I'm thankful that I found it. (Thanks AJ.). Some people go their entire lives looking for what I've got. That fact doesn't pass me unnoticed any day that I live. It's a constant. It never subsides. Love that's real. Love that's certain. Love that's, relentless...

Check out the lyrics here.

Watch the video here.